• Issue 15
    • Table of Contents
    • Letter from the Editor
    • Contributors
    • Copyright
    • Cover
  • Back to apogeejournal.org
    • Issue 4
    • Issue 11
    • Issue 12
    • Issue 13
    • Issue 14
    • Issue 15
    • Inside Out
    • Issue 16
    • Issue 17
    • Issue 18
    • Issue 19
Apogee Digital
  • Issue 15
    • Table of Contents
    • Letter from the Editor
    • Contributors
    • Copyright
    • Cover
  • Back to apogeejournal.org
    • Issue 4
    • Issue 11
    • Issue 12
    • Issue 13
    • Issue 14
    • Issue 15
    • Inside Out
    • Issue 16
    • Issue 17
    • Issue 18
    • Issue 19

An oil painting of a nude white figure with long white hair resting on a bed looking at the viewer with what could be scorn or disinterest, pillow obscuring one of their eyes. Their breasts are exposed, with reddened nipples and visible tan lines; one hand rests on their stomach, while the other is in between their legs—one of which is raised up towards the edge of the canvas. In the background we see a lamp, a window with blinds and an air conditioning unit, and three paintings warping up as if arranged off-center or shot with a fisheye lens.

Jenna Gribbon, What Now.
An oil painting of a Black figure in white tube socks and white athletic or boxer shorts. They are perched, legs open, on a stool, and looking at the viewer with lips open slightly. They have a short afro and beard, and are wearing multiple rings on their fingers; one hand holds a short towel around their neck. We can see tattoos or paint stains on their two forearms. The floor is paint-stained, and in the background are two large-scale paintings, in bright colors, with Black figures, obscured text, and a flamingo painted on them.
Jenna Gribbon, The Artist Eroticized (Devan).